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My Wicked Wicked Ways, by Errol Flynn
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Hero to millions who loved him as Robin Hood and Captain Blood, Errol Flynn lived a life that surpassed any adventure he ever filmed. Many of his exploits were made public for the first time in this autobiography, completed just a few months before his death at age 50.
Surprisingly candid, this book reveals an introspective and enigmatic personality previously hidden behind a hedonistic facade.These brashly written memoirs of his full and consuming life create a self-portrait that is as colorful as it is entertaining.
- Sales Rank: #5517104 in Books
- Published on: 1976-04-15
- Released on: 1976-04-15
- Original language: English
- Number of items: 1
- Dimensions: 5.00" h x 1.00" w x 7.00" l,
- Binding: Mass Market Paperback
Review
'The most entertaining autobiography ever by an actor' --Jeffrey Meyers
'Its greatest distinction is that it manages to pass beyond the conventionally "frank" to the unconventionally truthful in its portrait of an engaging but by no means overscrupulous romantic extrovert' Times Literary Supplement 'A major autobiography in the tradition of Cellini, Casanova and Frank Harris. Perhaps it is not the book to leave alone in the house with your daughter, but Flynn was not the man to leave in the house with your daughter.' ' --Guardian
'The confessions of a rake, unsparing of himself or anyone else' Newsweek 'An obstinately unabashed report --New Yorker
From the Publisher
12 1.5-hour cassettes
About the Author
Errol Flynn was an Australian-born American actor. He was known for his romantic swashbuckler roles in Hollywood films and his flamboyant lifestyle. After starring in Captain Blood (1935), Flynn became an overnight sensation, quickly becoming typecast as a swashbuckler and a rogue in a number of successive films. He followed Captain Blood with The Charge of the Light Brigade (1936), and after his appearance as Miles Hendon in The Prince and the Pauper (1937), he was cast in his most celebrated role as Robin Hood in The Adventures of Robin Hood (1938) - his first film in Technicolor. He went on to appear in The Dawn Patrol (1938) with David Niven, Dodge City (1939), The Sea Hawk (1940) and Adventures of Don Juan (1948). Throughout the 1950s his health deteriorated due to heavy alcohol and drug abuse, and he died in 1959 of a heart attack. His autobiography, My Wicked, Wicked Ways was published posthumously later that year.
Most helpful customer reviews
103 of 112 people found the following review helpful.
In With Flynn
By Bill Slocum
For a generation or two of eager young men, he was the epitome of adventure and accomplishment, especially with the opposite sex, and Errol Flynn's autobiography doesn't disappoint. "My Wicked, Wicked Ways" is a remarkably candid and eloquent account of the star's life as he saw it that reads like you are there spending a besotted long evening in the company of the screen world's Tasmanian Devil.
Errol Flynn won little critical acclaim in his lifetime. His only Academy Award nomination, if you can call it that, was bestowed on Peter O'Toole for playing a thinly-disguised Flynn in the 1982 film "My Favorite Year," where O'Toole plays a character named Alan Swann with an affinity for cognac rather than vodka but otherwise is an obvious parallel for Flynn.
Was Alan Swann the real thing? Was Errol Flynn? "My Wicked, Wicked Ways" leaves room for doubt. He tells some improbably tall tales of fighting natives in New Guinea and sailing through hurricanes in the Caribbean. I think I believe the slapping story about Bette Davis, though, since I read it in a couple of other places. The post-mortem story about John Barrymore is legendary, too, and it's especially fascinating reading Flynn's account since he was the victim of one of Hollywood's most legendary heartless pranks, a punking that Ashton Kutcher would have blanched at.
Flynn was an odd screen star, as he makes clear, starting out a gold prospector on the other side of the Pacific from Hollywood with no thought of movie acting until he found himself virtually drafted by a director making a movie about the mutiny on the Bounty, in which young Flynn played Fletcher Christian.
Later, he recalls his time with another actor who also played Christian in a better-known production, Clark Gable: "If anyone should ask 'What do two actors talk about when they meet?' the answer is Themselves.'"
Yet Flynn isn't quite as full of himself as that. As "My Wicked, Wicked Ways" makes clear, the last thing he really cared about was his screen image. That's actually a negative for me reading the book; I hoped to read more about his on-screen work. Alas, he barely mentions "The Adventures Of Robin Hood," his greatest screen role, and less than that of other screen performances like George Armstrong Custer in "They Died With Their Boots On" and the title role in his breakout film, "Captain Blood."
Flynn claims here he hated his cinematic roles enough to contemplate suicide after a time faced with the repetitiveness of one swashbuckler after another. He found sanctuary in booze instead. If there's one message in "My Wicked, Wicked Ways," it was that Flynn was a serious person, with an interest in science and literature, though all that was drowned out in the public imagining by his attraction for the opposite sex.
This is actually a point of obvious, repetitive bitterness for Flynn or his ghostwriter, I suspect both: "A man who for a woman fits the bill is the one who pays the bill."
The poormouthing does grate after a while. Reading Flynn complain about divorce lawyers is like hearing Charles Manson whine about police officers. He brought it on himself, as he's the first to admit, unable to understand monogamy in the abstract or in practice. But he seems unwilling to make the connection between the life he led and the inevitable results.
Still, this is an engaging, intelligent book that at times reads like Joseph Conrad and at times like a deposition at the Los Angeles district attorney's office. Never less than entertaining, it never quite gels into something coherent. If nothing else, it shows Flynn nearing the end of his days still displaying real wit and self-awareness. "There's out, and then there's out," Alan Swann says. Errol Flynn seems far from out here, and indeed, he comes across more alive from reading this than many actors on the screen today.
30 of 32 people found the following review helpful.
The Scallywag Errol Flynn
By W. Wren
I'm currently reading, and having a helluva great time enjoying, My Wicked, Wicked Ways: The Autobiography of Errol Flynn. Good heavens, what a read. Is anything he says true? Well, maybe. Probably, at least some of it. But that's not really the point, not for me.
It reads as if it's the transcript of a recording of a great raconteur, a teller of tall-tales whose favourite tale is his own life. You get the sense of a man who is totally self-absorbed but, somehow, has such a winning personality you love him for it.
I originally picked up the book because I was interested in finding a unique character I might make use of in a story, a model for a supporting player. Well, geez ... did I ever get my money's worth in Flynn. It's not simply a matter of a long, episodic tale but also one of style. The words, syntax ... everything that goes into creating a "voice" in writing, is here.
It's the breezy voice of a kid who never grew up.
For me, the incidents are less important than the personality that comes across (although the incidents are quite remarkable). Together, personality and incidents, it makes for an incredibly entertaining book.
Flynn is a character, in the truest sense. He's marvellous and if I had known him, I don't think I would have trusted him any further than I could throw him.
(By the way, it sounds as if the writing of My Wicked, Wicked Ways was a great story too, or so the book's introduction suggests.)
46 of 52 people found the following review helpful.
Flynn's Autobiography is Mixture of Fact, Fiction
By A Customer
By the time Errol Flynn got around to the task of putting his incredibly adventurous life on paper, booze, drugs and a life of dissipation had caught up with him. At 50, he was a wasted shadow of the once beautiful, vibrant movie idol who had captured a nation's imagination in such glorious screen epics as "Captain Blood" and "The Adventures of Robin Hood." No longer capable of the sustained concentration and commitment necessary to write an autobiography, Putnam and Sons assigned Flynn to a ghost writer by the name of Earl Conrad. Conrad spent many hours interviewing Flynn, and the result is "My Wicked, Wicked Ways." While the book was not written by Flynn, Conrad tried to duplicate the actor's unique way of expressing himself so that it was, in a way, spoken with Flynn's voice. The reader of "My Wicked, Wicked Ways" should be aware that a great deal of its contents has, since its publication, been discovered to be false. Flynn either made things up as he went along -- he was a notorious and gifted liar -- or he was confused thanks to the two quarts of vodka he tossed down every day of his life, and simply got some things wrong. Whatever the case may be, Errol Flynn did not tell the whole truth and nothing but the truth in "his" autobiography. However, "My Wicked, Wicked Ways" is still a rousing look at a rousing life...at one of the most visually stunning men of his or any other day...at a man who could seemingly generate screen magic without effort...at a man whose demons drove him, at the age of 50, into his grave with the body of an 85-year-old man. For those reasons it is worth reading.
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