Download PDF Adventures of Tintin the Red Sea Sharks (The Adventures of Tintin), by Herge
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Adventures of Tintin the Red Sea Sharks (The Adventures of Tintin), by Herge
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The Adventures of Tintin (Les Aventures de Tintin) is a series of comic strips created by Belgian artist Herge the pen name of Georges Remi (1907 1983). The series first appeared in French in Le Petit Vingtieme, a children's supplement to the Belgian newspaper Le Vingtieme Siecle on 10 January 1929. Set in a painstakingly researched world closely mirroring our own, Herge's Tintin series continues to be a favorite of readers and critics alike 80 years later.
The hero of the series is Tintin, a young Belgian reporter. He is aided in his adventures from the beginning by his faithful fox terrier dog Snowy (Milou in French). Later, popular additions to the cast included the brash, cynical and grumpy Captain Haddock, the bright but hearing-impaired Professor Calculus (Professeur Tournesol) and other colorful supporting characters such as the incompetent detectives Thomson and Thompson (Dupond et Dupont). Herge himself features in several of the comics as a background character; as do his assistants in some instances.
The success of the series saw the serialized strips collected into a series of albums (24 in all), spun into a successful magazine and adapted for film and theatre. The series is one of the most popular European comics of the 20th century, with translations published in over 50 languages and more than 200 million copies of the books sold to date.
The comic strip series has long been admired for its clean, expressive drawings in Herge's signature ligne claire style. Engaging, well-researched plots straddle a variety of genres: swashbuckling adventures with elements of fantasy, mysteries, political thrillers, and science fiction. The stories within the Tintin series always feature slapstick humor, accompanied in later albums by sophisticated satire, and political and cultural commentary.
- Sales Rank: #7189663 in Books
- Published on: 1979-06-01
- Original language: French
- Number of items: 1
- Dimensions: 12.25" h x 9.25" w x .50" l, .85 pounds
- Binding: Hardcover
- 62 pages
Most helpful customer reviews
1 of 1 people found the following review helpful.
More high adventures in Arabia
By Gary Selikow
After a strange encounter with General Alcazar of San Theodoros, and then getting home to see that Emir Ben Kalish Ezab, has sent his thoroughly obnoxious son, Prince Abdullah, to stay at Marlinspike, the Emir is deposed by the evil Revolutionary thug, Sheik Bab El Er.
Tintin and the Captain fly to Khemed, to try to get to the bottom of an illegal arms buying racket and if they can, to help their friend, the Emir.
There they take a boat to Mecca , where they must battle several enemies , in a high adventure on the Red Sea. Before the adventure is through , they will break a slave smuggling ring and ensure the defeat of several villains.
The issue of slave trade by Arabs , of Africans , was not only still going on when this book was written in 1958 , but is still endemic today , in places such as the Sudan.
These adventures are always full, of life and colour.
0 of 0 people found the following review helpful.
The one where Tintin uncovers the slave trade
By Keris Nine
There's a great deal going on in The Red Sea Sharks, but strangely, at the same time nothing much really happens. Although based on a real story that Hergé read in the newspapers about modern day slavery, Tintin and Captain Haddock's part in uncovering the illegal trade of humans is rather haphazard, the two of them (with Snowy) hopping on planes and boats without really seeming to arrive anywhere and get started on an investigation. An unfortunate tendency of their transportation to catch fire, blow-up or fall apart might have something to do with this.
Recurrent motifs are really all The Red Sea Sharks have going for it in place of a clear linear investigative plot, from the problems with their transportation to Captain Haddock, a man normally averse to the stuff, continually finding himself with water splashed in his face. This kind of thing is common in Hergé's work, but usually takes a back seat to the main story, providing balance, character and even a certain amount of symbolism (The Calculus Affair is a masterclass in its use and in the manner in which it is storyboarded), but here it's taken to the length of almost self-parody, overwhelming the main thrust of the story.
There's a sense of self-parody also in the amount of characters from past Tintin adventures making reappearances. The Emir, Sheik Bab El Ehr and prince Abdullah are the principal characters, the story mainly constituting a sequel to Land of Black Gold, which of course brings in Oliveira da Figueira, but there are a whole raft of characters brought in stretching right back to Dawson from the Blue Lotus, to General Alcazar, Allan, Rastapololus, Dr. Müller, Bianca Castafiore, Calculus (not really adding to the story) and Jolyon Wagg - I think Mr Cutts the butcher even makes a reappearance.
The overall impression is that the story never really gets going - the problems in Khemed and the trade in Mosquito aeroplanes never really add up to much, while the slave trade is more or less stumbled upon in passing - and it's all much too cluttered. Hergé is clearly delighting in the characters he has created, wanting to reintroduce them to his readers, but he doesn't really give them anything to do or any reason to be involved in the underlying story. The artwork, usually so clear and expressive also feels cluttered, giving a sense that Hergé has lost his way with the Tintin series. Much would be regained in terms of simplicity of storyline and beauty of clear-line artwork in the next adventure, Tintin in Tibet - perhaps Hergé's most personal work - but the signs of the Tintin series having peaked with the three mid-period double-length adventures are now clearly evident.
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